Anton Ivanovich Bartsal |

Anton Bartsal

Anton Ivanovich Bartsal nyaéta panyanyi opera Czech jeung Rusia (tenor), panyanyi konsér, sutradara opera, guru vokal.

Dilahirkeun 25 Méi 1847 di České Budějovice, Bohemia Kidul, ayeuna Républik Céko.

Dina 1865 anjeunna asup ka Wina Pangadilan Opera Sakola, bari attending kelas musik jeung déklamasi Professor Ferchtgot-Tovochovsky di Wina Conservatory.

Bartsal debut dina 4 Juli 1867 dina konsér Great Singing Society di Wina. Dina taun anu sarua manéhna nyieun debut (bagian tina Alamir di Belisarius ku G. Donizetti) dina panggung Teater Samentara di Praha, dimana anjeunna manggung nepi ka 1870 di opera ku komposer Perancis sarta Italia, kitu ogé ku komposer Czech B. . Smetana. Pelaku mimiti bagian tina Vitek (Dalibor ku B. Smetana; 1868, Praha).

Dina 1870, dina ondangan konduktor paduan suara Y. Golitsyn, anjeunna toured Rusia jeung paduan suara na. Ti taun anu sarua manéhna cicing di Rusia. Anjeunna ngadamel debut salaku Masaniello (Fnella, atanapi Bisu ti Portici ku D. Aubert) di Kyiv Opera (1870, perusahaan FG Berger), dimana anjeunna tampil dugi ka 1874, ogé dina usum 1875-1876 sareng tur di 1879.

Dina usum panas 1873 jeung 1874, kitu ogé dina usum 1877-1978, manéhna nyanyi di Odessa Opera.

Dina Oktober 1874 anjeunna debut dina opera "Faust" ku Ch. Gounod (Faust) dina panggung Teater Mariinsky St Petersburg. Solois téater ieu dina usum 1877-1878. Dina 1875 anjeunna dipigawé di St. Petersburg dua adegan jeung duet ti opera "Natal Peuting" ku N. Lysenko.

Dina 1878-1902 anjeunna soloist, sarta dina 1882-1903 ogé lulugu diréktur Teater Moscow Bolshoi. Pamaén munggaran dina panggung Rusia peran dina opera Wagner Walter von der Vogelweide ("Tannhäuser"), sarta Mime ("Siegfried"), Richard dina opera Un ballo in maschera ku G. Verdi), kitu ogé Pangeran Yuri ( "Putri Ostrovskaya" G. Vyazemsky, 1882), Cantor tina Kapernaum ("Uriel Acosta" ku V. Serova, 1885), pertapa ("Dream on the Volga" ku AS Arensky, 1890). Anjeunna ngalaksanakeun peran Sinodal ("Demon" ku A. Rubinstein, 1879), Radamès ("Aida" ku G. Verdi, 1879), Adipati ("Rigoletto" ku G. Verdi, dina basa Rusia, 1879), Tannhäuser (" Tannhäuser" ku R. Wagner, 1881), Pangeran Vasily Shuisky ("Boris Godunov" ku M. Mussorgsky, édisi kadua, 1888), Deforge ("Dubrovsky" ku E. Napravnik, 1895), Finn ("Ruslan jeung Ludmila" ku M. Glinka), Pangeran ("Mermaid" ku A. Dargomyzhsky), Faust ("Faust" ku Ch. Gounod), Arnold ("William Tell" ku G. Rossini), Eleazar ("Zhidovka" ku JF Halevi) , Bogdan Sobinin ("Kahirupan pikeun Tsar" ku M. Glinka), Bayan ("Ruslan jeung Lyudmila" ku M. Glinka), Andrey Morozov ("Oprichnik" ku P. Tchaikovsky), Trike ("Eugene Onegin" ku P. Tchaikovsky) , Tsar Berendey (The Snow Maiden by N. Rimsky-Korsakov), Achior (Judith by A. Serov), Count Almaviva (The Barber of Seville by G. Rossini), Don Ottavio (Don Giovanni by WA ​​Mozart, 1882) , Max ("Free Shooter" ku KM Weber), Raoul de Nangi ("Huguenots" ku J. Meyerbeer, 1879), Robert ("Robert the Devil" ku J. Meyerbeer, 1880), Vasco da Gama ("The African Woman" ku G. Meyerbeer), Fra Diavolo ("Fra Diavolo, atawa Hotel di Terracina" ku D. Aubert), Fenton ("Gossips of Windsor" ku O. Nicolai), Alfred ("La Traviata" ku G. Verdi), Manrico ("Troubadour" ku G. Verdi).

Anjeunna staged opat puluh dalapan opera dina panggung Teater Moscow Bolshoi. Anjeunna pamilon dina sagala Productions anyar opera waktu éta dina panggung Teater Bolshoi. Diréktur produksi mimiti opera: "Mazepa" ku P. Tchaikovsky (1884), "Cherevichki" ku P. Tchaikovsky (1887), "Uriel Acosta" ku V. Serova (1885), "Taras Bulba" ku V. Kashperov (1887), "Mary of Burgundy" ku PI Blaramberg (1888), "Rolla" ku A. Simon (1892), "Beltasar urang Feast" ku A. Koreshchenko (1892), "Aleko" ku SV Rachmaninov (1893), " The Song of Triumphant Love” ku A. Simon (1897). Diréktur panggung opera The African Woman ku J. Meyerbeer (1883), Maccabees ku A. Rubinstein (1883), The Nizhny Novgorod People ku E. Napravnik (1884), Cordelia ku N. Solovyov (1886) ), "Tamara" ku B. Fitingof-Schel (1887), "Mephistopheles" ku A. Boito (1887), "Harold" ku E. Napravnik (1888), "Boris Godunov" ku M. Mussorgsky (édisi kadua , 1888), Lohengrin ku R Wagner (1889), The Magic Flute ku WA Mozart (1889), The Enchantress ku P. Tchaikovsky (1890), Othello ku J. Verdi (1891), The Queen of Spades ku P. Tchaikovsky (1891), Lakmé ku L. Delibes (1892), Pagliacci ku R. Leoncavallo (1893), Salju maiden ku N. Rimsky -Korsakov (1893), "Iolanta" ku P. Tchaikovsky (1893), "Romeo jeung Juliet" ku Ch. Gounod (1896), "Pangeran Igor" ku A. Borodin (1898), "Peuting Sateuacan Merry Christmas" ku N. Rimsky-Korsakov (1898), "Carmen" ku J. Bizet (1898), "Pagliacci" ku R Leoncavallo (1893), "Siegfried" ku R. Wagner (dina Rusia, 1894.), "Medici" ku R. Leoncavallo (1894), "Henry VIII" ku C. Saint-Saens (1897), "Trojans di Carthage "ku G. Berlioz (1899), "The Flying Dutchman" ku R. Wagner (1902), "Don Giovanni" ku WA Mozart (1882), "Fra Diavolo, atanapi Hotel di Terracina" D Ober (1882), "Ruslan sareng Lyudmila" ku M. Glinka (1882), "Eugene Onegin" ku P. Tchaikovsky (1883 sareng 1889), "The Barber of Seville" ku G. Rossini (1883), "William Tell" ku G. Rossini ( 1883), "Askold's Grave" ku A. Verstovsky (1883), "Enemy Force" ku A. Serov (1884), "Zhidovka" ku JF Halevi (1885) .), "Free Shooter" ku KM Weber (1886), "Robert Iblis" ku J. Meyerbeer (1887), "Rogneda" ku A. Serov (1887 sareng 1897), "Fnella, atanapi Bisu ti Portici" ku D. Aubert (1887), "Lucia di Lammermoor" ku G. Donizetti (1890), "John of Leiden " / "Nabi" ku J. Meyerbeer (1890 jeung 1901), "Un ballo in masquerade" G. Verdi (1891), "Kahirupan pikeun Tsar" M. Glinka (1892), "Huguenots" ku J. Meyerbeer (1895), "Tannhäuser" ku R. Wagner (1898), "Karikil »S. Moniuszko (1898).

Dina 1881 anjeunna toured ka Weimar, dimana anjeunna nyanyi dina opera Zhydovka ku JF Halévy.

Bartsal dipigawé pisan salaku penyanyi konsér. Unggal taun anjeunna ngalaksanakeun bagian solo dina oratorios of J. Bach, G. Handel, F. Mendelssohn-Bartholdy, WA ​​Mozart (Requiem, dilakukeun ku M. Balakirev, dina ensemble kalawan A. Krutikova, VI Raab, II Palechek) , G. Verdi (Requiem, 26 Pébruari 1898, Moscow, dina ensemble kalawan E. Lavrovskaya, IF Butenko, M. Istana, dilakukeun ku MM Ippolitov-Ivanov), L Beethoven (9. Symphony, 7 April 1901 di grand opening tina Aula Agung tina Moscow Conservatory dina ensemble kalawan M. Budkevich, E. Zbrueva, V. Petrov, dilakukeun ku V. Safonov). Anjeunna masihan konser di Moscow, St.

repertoire chamber na kaasup roman ku M. Glinka, M. Mussorgsky, P. Tchaikovsky, R. Schumann, L. Beethoven, kitu ogé Rusia, Serbia, lagu rahayat Czech.

Di Kyiv, Bartsal milu dina konsér tina Rusia Musik Society sarta dina konser pangarang N. Lysenko. Dina 1871, dina konsér Slavia dina panggung Majelis Bangsawan Kyiv, anjeunna ngalaksanakeun lagu-lagu rahayat Czech dina kostum nasional.

Dina 1878 anjeunna toured kalawan konser di Rybinsk, Kostroma, Vologda, Kazan, Samara.

Dina 1903, Bartsal nampi gelar Artis Terhormat Teater Kaisar.

Dina 1875-1976 anjeunna ngajar di Kiev Musical College. Dina 1898-1916 sarta dina 1919-1921 anjeunna profesor di Moscow Conservatory (nyanyi solo sarta kapala kelas opera) jeung di Sakola Musik jeung Drama tina Moscow Philharmonic Society. Diantara murid Bartsal nyaéta penyanyi Vasily Petrov, Alexander Altshuller, Pavel Rumyantsev, N. Belevich, M. Vinogradskaya, R. Vladimirova, A. Draculi, O. Dresden, S. Zimin, P. Ikonnikov, S. Lysenkova, M. Malinin, S. Morozovskaya, M. Nevmerzhitskaya, A. Ya. Porubinovskiy, M. Stashinskaya, V. Tomskiy, T. Chaplinskaya, S. Engel-Kron.

Dina 1903 Bartsal ninggalkeun panggung. Kalibet dina konsér jeung kagiatan pangajaran.

Dina 1921, Anton Ivanovich Bartsal indit ka Jerman pikeun pengobatan, dimana anjeunna maot.

Bartsal ngagaduhan sora anu kuat kalayan nada "matte" anu pikaresepeun, anu dina warnana milik tenor baritone. Prestasina dibédakeun ku téknik vokal anu sampurna (anjeunna nganggo falsetto sacara terampil), ekspresi raray ekspresif, musikalitas anu hébat, pagawean filigree detil, diksi anu sampurna sareng maén inspirasi. Anjeunna némbongkeun dirina utamana brightly di pihak ciri. Diantara shortcomings contemporaries attributed aksen, nu nyegah kreasi gambar Rusia, sarta kinerja melodramatic.